by Brian Selznick
I found this book while shelving at my library during a volunteering stint. I had never heard of it before, but one quick flip through proved it to be highly interesting. I couldn’t take it home that day but I added it to the TBR list that I keep on my iPhone. Throughout the next couple of weeks I came across reviews on other blogs which were full of praise (Bethany and Claire).
I finally picked it up three days ago, thinking it would be a good thing to read while simultaneously finishing the last 100 pages of the second volume of Proust. However, I sped through all 530 pages of it in the space of two slow shifts at the theater!
The story is simple – a young boy lives within the walls of a busy Paris train station, keeping the clocks running after his drunkard uncle disappears. He is systematically stealing small toys from a booth at the station because he needs the parts to fix a mechanical man that his father was working on right before he died in a fire. When he is finally caught by the mysterious old man who runs the toy booth, the gears of his life start popping out. A precious notebook is taken from him, the old man’s goddaughter is determined to find out all his secrets, and the station master begins to noticing that the clocks are starting to slow down…
What makes this rather predictable plot original are the 284 pages of drawings that push the story into a new type of reading experience. The illustrations often pick up and carry the action along for a few pages, before slipping seamlessly back into text. I liked what Claire said about the images looking like the storyboard for a movie. They’re full of dramatic elements. One chase sequence had me flipping pages so fast that I nearly tore one out!
Aside from the drawings, the aspect of the book that I liked best was it’s historical and true context. The cinematic theme is very strong, and throughout the story a variety of old movies are mentioned (several of which are now on my TBW list!) The old toymaker (mild spoiler ahead, sorry) is revealed to be Georges Melies, who was an early filmmakers and a pioneer in special effects and the limits of what was possible at the time. He made over 500 movies, which were anywhere from 1 minute to 45 minutes long. The most famous of these is A Trip to the Moon, made in 1902. A large portion of these films were destroyed – melted down to make shoe heels during WW1! It’s been in the back of my head to track down some of the films that survived and are still available – now would be a good time to do so.
The other really cool thing about the book is that there is a real life mechanical man who can write and draw. The inspiration for Selznick’s book was a real automaton, which really did get nearly destroyed in a fire and then when it was fixed, started drawing and writing poems! The Maillardet automaton is now housed at the Franklin Institute, and they have some history about it and some YouTube videos of the little fellow in action here.
On the whole The Invention of Hugo Cabret is really interesting and quite a wonderful, and different, experience. I definitely recommend it. 🙂
by Jane Austen and Seth Grahame-Smith
Dir. by Veit Helmer
Thank goodness it was rainy on Tuesday though, so that I could spend the entire day with an advanced reading copy of Kristin Cashore’s new book Fire – the prequel to Graceling! (While I may not be a book blogger popular enough to regularly receive ARCs, now and then I do have very good connections. You know who you are – thanks!) Fire was totally fabulous, and it was extremely gratifying to find that I can still get through an entire book in the space of a day. Since I do feel a little awkward about ARCs, more on Fire when I reread it in October. 🙂
In April I read a review of a short story by Saki on
I tracked down another movie made by Ari Folman, the director of Waltz With Bashir, and it did not disappoint. Saint Clara, made in 1995 and set in a futuristic 1999 Israel, is about a group of clever, hardly controllable junior high students. The new girl, a pretty Russian immigrant with clairvoyant talents, helps mastermind a classroom-wide cheating scheme, allowing everyone to get perfect scores on an algebra test. Interrogations from teacher and principal follows, friendships are lost, the lottery is nearly won, and first love blossoms.
Last night – a rare Tuesday night free from the theatre – I attended the Maine premier of
I finished this book an hour ago, and between customers who wander into the little country store I am overseeing today, I have been reading articles and reviews about it, hoping to get a better handle on what I’ve experienced.
I made use of my library’s inter-library loan system and was just as excited to receive a copy of Juan Fulfo’s Mexico as if I had actually purchased it. (I heart inter-library loan!)
It would be hard for me to pick out a favorite photo. So many of them seem like whole stories contained within the camera’s lens. There is the picture of a man, standing among huge agave plants, looking off into the distance. Or the one of a father carrying a son too big to be carried, while the mother follows behind, and they seem to be in a hurry but they are in the middle ground while the foreground is filled with three large beach-ball-like cacti. Or the one of music stands, horns and drums, all abandoned in the foreground while in the background against a backdrop of misty mountains a group of people are sitting on a ridge, perhaps watching the sun set.
Another gem of information garnered from NPR’s 8 o’clock news – it is the 445th anniversary of Shakespeare’s birth (approx. – his actual birth date is unknown). The mayor of Chicago declared today
My sisters and friends and I used to act out scenes from this play, tripping over the unfamiliar phrasing and dissolving into laughter more often than not. I always wanted to play the Clown – I spent some time today looking for my favorite thing he says in the play, and ended up reading a large amount of it and not being able to decide. It’s all so good! 🙂


